Shilpgram Festival 2025 :“O Mhāri Ghoomar Chhe Nakhrāli Ae Mā…” Leaves Audience Spellbound

Udaipur: The Mukta Akashi stage at Shilpgram resonated with thunderous applause when elegantly dressed women performed the graceful Ghoomar, forming mesmerizing circles with their colorful, flared, and heavily embroidered ghagras. Their rhythmic movements, expressive gestures, and perfect coordination left the packed audience enthralled.

Rooted in the famed Bani-Thani painting tradition of Kishangarh (Rajasthan)—which flourished during the reign of Maharaja Sawant Singh (Nagari Das)—Ghoomar is a proud symbol of Rajasthan’s folk heritage, traditionally performed during festivals and celebrations. Sunday evening’s performance brought this cultural legacy alive, captivating spectators and earning widespread admiration.

Adding to the cultural spectacle was Rajasthan’s unique Terah Taali folk dance. Dancers skillfully created rhythm using nine manjiras tied to their feet and two each on their elbows and hands. Performed by women of the Kamad community, this seated dance astonished audiences when performers balanced kalash pots on their heads and held daggers in their mouths, drawing resounding applause.

The evening further showcased an extraordinary blend of folk traditions from across the country. West Bengal’s Raibenshe amazed with acrobatic feats, while Maharashtra’s Lavani impressed with its vibrant expressions and elegant grace. Rajasthan’s Kalbeliya dancers won hearts with their agility, and Purulia Chhau from West Bengal stood out with its powerful fusion of classical dance and martial arts. The high-energy performance of Siddi Dhamal left audiences awestruck.

Folk Performances that Touched the Soul

The soulful Bhapang music from Rajasthan’s Mewat region struck an emotional chord with listeners. Uttarakhand’s playful Chhapeli dance brought smiles and laughter, while Assam’s Bihu spread festive cheer. The thrilling Thang-Ta stick dance from Manipur—blending dance with martial arts—kept viewers on the edge of their seats. Punjab’s ever-energetic Bhangra had spectators dancing in place. Performances of Singhi Chham, Karn Dhol, and Braj’s Mayur Dance further enriched the evening.

The program was smoothly conducted by Dr. Mohita Dixit and Madhuri Sharma. Prior to the main performances, the audience also enjoyed Sundari instrumental music, Kutchi bhajans, and Bhavai dance, which kept the atmosphere lively.

‘Hivda Ri Hook’ Sparks Enthusiasm

At the Banjara Stage, the interactive cultural program ‘Hivda Ri Hook’ continued to be a major attraction for visitors of all ages. Participants enthusiastically showcased their talents, while program coordinator Saurabh Bhatt added excitement through engaging quizzes, rewarding correct answers with instant prizes.

Performances Across Courtyards Captivate Visitors

From 11 am to 6 pm, various courtyards (thadas) across Shilpgram hosted continuous performances, delighting visitors throughout the day. Highlights included Adivasi Ger and Chakri, Bajigar acts, Been Jogis and Bhavai, Manganiyar singing, folk storytelling, tribal dances from Maharashtra, Gujarat, Jharkhand, Goa, and Dadra & Nagar Haveli, as well as puppet shows and instrumental music.

Colorfully dressed Bahurupiyas roaming the premises entertained visitors with their costumes and performances. Sculptures, beautifully crafted huts, and artistic corners have also become popular selfie spots for tourists.

Today’s (Monday) Special Attractions

This evening at the Mukta Akashi stage, a musical symphony directed by Furqan Khan, Director of the North Zone Cultural Centre, will be a major highlight. Folk performances including Dangi dance (Gujarat–Rajasthan), Ghoomar, Braj’s Mayur dance, Bhapang music from Mewat, along with Siddi Dhamal, Singhi Chham (Sikkim), Lavani, Purulia Chhau, Bhangra, Gotipua (Odisha), and Bihu (Assam) promise another unforgettable cultural evening.

Shilpgram Festival 2025 continues to celebrate India’s rich and diverse folk heritage, leaving audiences inspired, entertained, and culturally enriched.